It’s probably not painfully obvious, but Jonathan has papers identifying him as Pierre LaSalle’s son. Which is why Jared needed him in the first place.
I’m participating in an art contest, run by my friends at Snow By Night, and I’m going to need votes to win! If you could spare a bit more of your time to vote for me in the art contest, that would be lovely! 😀 And as always, please vote for LaSalle’s Legacy in TWC as well. The more votes I get, the higher I climb in the ratings and the chances are better that more readers will come. 😀
I finished watching Gurren Lagann this weekend and it was awesome. I tend to like ridiculously over-the-top fights (and you don’t get more ridiculous than robots using entire galaxies as weapons), but what impressed me the most about the show was the character interactions. They were really well written, and though you could predict what was going to happen most of the time to a character, the result was still satisfying. I remember when I was younger I felt that I needed to write unpredictable plot twists all the time and had to keep my audience guessing, but as I get older, I also really enjoy just delivering something the audience expects and doing it well. Sometimes, there is a nice feeling of satisfaction when you watch characters get what you feel they deserve. Do you guys agree?
yes though plot twists certainly have their place. One of my favorite brit sitcoms is allo allo. the humor was very predictably you knew what was coming everytime but it was so well executed that it was still hilarious anyway.
My sister loved Allo Allo. She loves brit comedy shows in general. One of my favorite british comedy shows (aside from Whose Line) was one where a middle class woman was convinced she was high class and tried to make it look as if she were so. I forget the name, but the actress was brilliant in it.